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Famend Santoor participant Pandit Shivkumar Sharma handed away on Tuesday. He was 84. The maestro composed music for a lot of widespread Yash Chopra movies within the Eighties and Nineteen Nineties. Movies like Silsila, Chandni, Darr, Lamhe and plenty of others with iconic evergreen songs had music composers Shiv-Hari on the helm. Nevertheless, sceptics believed that the musical duo, additionally together with flautist Hariprasad Chaurasiya, would dilute their artwork to satisfy the calls for of Bollywood.
The Santoor participant recalled that on the time, there was a variety of ‘criticism’ from all quarters towards classical musicians composing for a Hindi movie. Shivkumar Sharma recalled in an interview with Sathya Saran for Rediff, “There was a variety of criticism on the time, with individuals asking why classical musicians have been being requested to attain music; have been we diluting our artwork for business causes? We realised we needed to rise to the event. We spent many classes with Yashji, discussing conditions, places, story. He gave us the screenplay which we learn rigorously.”
In an interview with Sathya Saran for Rediff, the composers recalled how they roped in Amitabh Bachchan to sing ‘Rang Barse’, ‘Neela Aasmaan So Gaya’ and his poetry recitation for ‘Yeh Kahan Aa Gaye Hum’ for Silsila. For ‘Rang Barse’, the composers wished him to sing a Hori and Hariprasad recollected, “Allahabad ka hai, usse gava diya, jaise gale me haat dal ke (He’s from Allahabad, we made him sing).” He additional recalled that Yash Chopra recommended that Amitabh’s father Harivanshrai Bachchan ought to write the tune.
“Harivanshraiji was in Bombay at the moment, so he was requested. Inside an hour, the tune was written, tailored from a tune sung in rural UP. He wasted no time in any respect, particularly since his son was to sing it,” Chaurasiya recalled. The duo remembered that Massive B put in a variety of hours within the rehearsal of the tune. “He practiced it nicely; the singing, actions, every little thing. And he obtained the inflections completely,” he stated.
For the tune ‘Yeh Kahan Aa Gaye Hum’, Shivkumar Sharma recalled that Yash Chopra wished poetry set to music however they recommended that they might begin with poetry, have the tune, and have poetic verses between the tune. “It was not a tune state of affairs in any respect; Yashji wished phrases, poetry, set to music. We recommended a tune and that poetic verses are available between the tune, as a substitute of interlude music. First the sthayi, then the recitation, then the antara, then phrases once more,” Sharma recalled.
Speaking about ‘Neela Aasmaan So Gaya’, the flautist recalled, “I favored the sound of the tune, informed him to sing it to us and developed it right into a full-fledged tune.”
Shiv-Hari’s final movie compositions featured within the Yash Chopra movie Darr.
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